strange_complex: (Dracula Risen hearse smile)
Given my current obsession with Dracula and the fact that I am a historian, it's pretty obvious that sooner or later I would want to read up on the historical man behind the myth. I also wasn't going to be satisfied with one of the many popular works on the topic. I wanted Proper History. In fact, what I really set out in search of was an English-language translation of the primary sources. Some of these are available online, such as one of the German-language pamphlets about him printed in Nuremburg in 1488 here. But those are very obviously highly sensationalistic, to a degree which makes the Historia Augusta's Life of Elagabalus look moderate and objective. Meanwhile, I could see that better material must be out there, such as the official document which this image of his signature was taken from. And I wanted to read it!

So I did my research, and very quickly this book stood out from amongst a large and rather motley field. Online reviews and tables of contents confirmed that it includes some 50 pages of translated primary source material (about 1/5 of the book), including official documents and letters from and about Wallachia, Ottoman Chronicles, a Byzantine historiographer, one of the German pamphlets and a Hungarian court historian. This isn't an absolutely comprehensive collection. The official documents and letters are 'selected'; Treptow for some reason omits the Russian pamphlets also published about Dracula (which are as sensationalist as the German ones, but to different effect); and he also cites at certain points, but doesn't present in full, the observations of Pietro Tommasi, the Venetian ambassador to Buda. But I could see in advance, and can confirm now, that it is very definitely the fullest available English-language source collection for Dracula currently on the market.

That would have been enough to make me want to buy it, but meanwhile, my investigations had also made it clear that the other 4/5 of the book were the thing I wanted next most after the primary sources - a proper scholarly analysis of the historical Dracula. This Amazon review from a history professor planning to use it in their teaching sounded particularly promising, while I also found a syllabus for a college course at Rutgers in which it plays a central role (and which I think is taught by someone different from the Amazon reviewer), and a Masters thesis published online which cites it extensively and admiringly.

All eminently promising, you would think. Surely no reason to hesitate about buying a copy? Except that there was, and is, because the author is a convicted paedophile )

Thankfully, once I had accepted the stain on my soul by buying it, the book did at least turn out to be everything I was hoping it would be as a work of history. The first few chapters, which provided background information about Wallachia and its politics in the period when Dracula came to power, were relatively unexciting, as they were primarily synthesis, but then Treptow turned in earnest to the reign of Dracula himself, and I found myself reading a chapter which began like this:
Communist historiography created the image of Dracula as a class hero who struggled to curb the abuses of the evil boyars. This thesis has been repeated so often that it is usually taken for granted, without realizing the political motives that inspired it. Precisely for this reason the relationship between Vlad III and his boyars must be reconsidered. [p. 73]
"Aha!" I thought, virtually rubbing my hands with glee, "now we are about to get some proper history!" And we did )

That's not to say I think this is the most perfect book about Vlad III Dracula that could ever be written, and it certainly doesn't attempt to be the most comprehensive. Biases and omissions )

So there is definitely more for me to read and discover about the historical Dracula than this book alone could tell me, but that's fine – that's how history is, and I'm glad I still have more to find out (and access to a University library to help me with it). Nonetheless, I think I was right in choosing it as my starting-point, because the historical analysis in the first 4/5 of the book was lucid, well-supported and above all transparent, while of course the translations of the primary sources in the final 1/5 now mean that I am very nearly as well-versed in the actual evidence for Dracula's reign as any expert in the field. Like most ancient rulers, his big attraction here is that the available evidence is so limited that reading it all doesn't take very long – and as I say repeatedly to my students, this means that you quickly can get on to the business of analysing and debating it, which is the really fun bit of history.

Of the sources themselves, the documentary sources (deeds, letters, decrees) are clearly the most useful for learning about the actual activities of Dracula as a ruler. Indeed, many of them are written (or dictated, or merely signed off) directly by him in the first person, which is the very best primary evidence you can ask for from any historical ruler. But I must say my favourite to read were the Ottoman sources )

After reading the collection as a whole, I also now feel much clearer than I did before on the whole issue of impalement )

I have certainly learnt a lot about late medieval eastern Europe from this book, which has in turn helped me think about various aspect of ancient politics and warfare by comparison and contrast. Reading about almost any monarch whose power essentially rested on military strength also helps me to understand Augustus better in the same sorts of ways, while one whose source-issues and reception history bear such close resemblances to Augustus' is particularly helpful. But of course I didn't just come here for a real-world history lesson, but also to flesh out the back-story for my favourite fictional vampire. I'm well aware that Bram Stoker knew pretty little about the historical Dracula, and was a bit confused about what he did know. But what if, in spite of that, you want to play the game of splicing together the two?

The truth is, it's difficult to do plausibly. The biggest problem is that the historical Dracula had at least two children between losing his throne in 1462 and regaining it in 1475, and then died in warfare only months after the latter event. If you assume both a) that vampires can't have children, and b) that his motivation for becoming a vampire would have been to achieve political success, then you end up stuck in a blind alley, because he can't have become a vampire until after he had finished having children, and by that point in his life his political successes were qualified at best. It also doesn't help that, like most Wallachian monarchs, he went round founding or granting bequests to churches and monasteries, and writing letters full of phrases like "by the grace of God", "we swear before God", "with faith in the Lord Jesus Christ", etc. - all of which would surely burn in the mouth of any vampire Dracula.

Then again, there are occasional phrases in the primary sources which leap out at anyone looking for a spot of vampirism. Like in Dan III's letter to the people of Brașov and Țara Bârsei, where he says that Dracula has broken faith with the Hungarians "following the teaching of the Devil", or the various references in the Ottoman sources to him flying through the battle-field "like a black cloud", or the story from a poem written shortly after his imprisonment (annoyingly omitted from this book) about him dipping bread in people's blood and eating it. There is also the fact that one of his most famous military attacks took place at night. All of this is of course either perfectly easily-explicable in ordinary human terms, or probably made up – but if you want to, it does provide just about enough fodder to build up a story in which he dabbles with vampirism and / or is assisted by a vampire for some years, but doesn't actually become one himself until at or shortly before the moment of his (historically ill-documented) human death. That is good enough for me.

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strange_complex: (Augustus)
(Yup, this is me still catching up on 2010 book reviews. The good news now is that there is just this one and another I've already written to go, and then at last I can make a start on 2011! You know, one day before the year ends. Thankfully, the 2011 reviews shouldn't take too long themselves, as I have been so miserable about my huge reviewing back-log this year that I have only read five books. :-/ I'm really looking forward to getting those written up, and being able to return to a more enjoyable regime of instant, enthusiastic reviewing pretty much straight after I've watched / read things. Oh, and sorry for the pedantic page numbers in this review - this one is related to my work on receptions of Augustus, so I may need to be able to return to this review and cross-check details quickly and easily in the future.)

This particular book was recommended to me by my very good friend [livejournal.com profile] hollyione, on the grounds that it would be relevant to my interest in fictional portrayals of Augustus, and tap into my love of the Art Deco era as well. It manages to tick both boxes by presenting a retelling of the fall of the Roman Republic, transposed to the world of high finance in the 1920s and '30s. The role of the burgeoning Roman Empire is taken by America, where Paul Van Zale as Julius Caesar dominates Wall Street, while Egypt with its fading power and strange ancient customs is represented by England - and particularly the Norfolk Broads - where Dinah Slade struggles against hostile half-siblings and financial hardship to preserve her crumbling ancestral home, Mallingham. I'm sure there are some parallels I didn't spot, but as far as I could work it out (and because no-one else seems to have placed such a list on the internet), these are the equivalencies which I recognised )

Howatch's approach to reception )

Cornelius Van Zale, aka Octavian )

Dinah Slade, aka Cleopatra )

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strange_complex: (Claudius)
2050 years ago today, folks.

Brutus obverse.gif Brutus reverse.gif

(If you're confused about how the maths add up, there, remember that there is no Year 0).

To mark this momentous occasion, let's see if you know more about Julius Caesar than the average first-year Ancient History student:

[Poll #947018]
Answers and explanations will be posted later today.

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